REVIEW: STAR WARS THE LAST JEDI

In George Lucas’s original Star Wars trilogy, fans were immersed in a vast and uncharted universe rife with relics of the late Jedi order. The first film, “A New Hope,” introduced and set the stage for the main protagonists and antagonists with drips of detail to induce intrigue and wonder in the audience. Following sequels provided sustenance for fans’ fervor, delving deeper into the characters and connecting storylines.

With 2015’s “The Force Awakens,” Disney played it safe. Director JJ Abrams effectively stuck to the same script (almost literally) as “A New Hope,” and the film was highly enjoyable – discounting its lack of original storytelling, and the fact that our hero Luke Skywalker had been reduced to retirement in what could only be described as the Florida of the vast Star Wars universe.

Now on to “Episode VIII: The Last Jedi.” Before I go any further, the review will contain major spoilers. There was a slew of weaknesses in the plot (and this is aside from the fact that the movie felt drudgingly dragged out at times) that can’t be pointed out without giving anything away. But don’t be disparaged, I’m saving you from having to sit through a 152-minute long mess.

Spoilers Ahead!

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REVIEW: The Promise: A Powerful, Memorable Film

With “The Promise,” filmmaker Terry George, known for his 2004 Oscar-nominated “Hotel Rwanda,” set out to tell the story of 20th century’s first genocide.

Following the timeline of events that led to the Ottoman Empire’s perpetration of genocide against the Armenian population in 1915, the plot is centered around a love triangle between an Armenian student named Mikael Boghosian (played by Oscar Isaac), an Armenian from Paris named Ana Khesarian (played by Charlotte Le Bon) and an American reporter named Chris Myers (played superbly by Christian Bale).

Leaving his small Armenian village in the Ottoman Empire, Boghosian travels to the Turkish capital Constantinople to study medicine.

The film depicts Turkish-Armenian relations at a high point (“high” is meant in the vaguest sense). Many Turks still held venomously racist views towards Armenians, but they went to the same universities, lived in the same cities and shopped in the same markets (when walking through the market, a Turk exclaimed to him, “that Armenian pig will rip you off.”)

Shortly after, as the Ottoman Empire entered the First World War, Turkish aggression against the Armenian population became a mainstay of government policy. This film portrayed this accurately, as the blueprints for Adolf Hitler’s Third Reich soon spread to every village in the Ottoman Empire.

Turkish officers began rounding up Armenian intellectuals and businesspersons, executing them on a whim. Boghosian was yanked out of medical school and sent to a labor camp where he was effectively starved, and made to work while awaiting execution.

Miraculously, Boghosian escaped. Following his harrowing journey back to his home village in an attempt to save his family, the film vividly portrays the horrors of the Armenian genocide. From cargo trains packed full of prisoners, to their coerced death march through the desert where they were executed.

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