DECEMBER 18, 2025 A FAREWELL TO ROB REINER
DECEMBER 16, 2025 WAKE UP DEAD MAN: A KNIVES OUT MYSTERY TREATS FAITH WITH UNEXPECTED SERIOUSNESS
DECEMBER 9, 2025 SISU: ROAD TO REVENGE IS EVEN BETTER THAN THE ORIGINAL
DECEMBER 6, 2025 VARIETY’S ‘TOP 100 COMEDIES’ EXPOSES HOLLYWOOD’S COLLAPSE
DECEMBER 2, 2025 THE FINAL SEASON OF STRANGER THINGS IS ARDENTLY ANTI-COMMUNIST
NOVEMBER 26, 2025 HOLLYWOOD MOVIE STUDIOS MIGHT WANT TO HIRE THE POPE AS A CONSULTANT
NOVEMBER 24, 2025 FIVE CLASSIC THANKSGIVING MOVIES AND SHOWS THAT CELEBRATE FAMILY
NOVEMBER 17, 2025 TRUMP DERANGEMENT SYNDROME CLAIMS ANOTHER VICTIM
NOVEMBER 12, 2025 SYDNEY SWEENEY SHINES AS TRAILBLAZING BOXER IN CHRISTY
NOVEMBER 6, 2025 IN BUGONIA, IT’S DANGEROUS TO DISMISS CONSPIRACY THEORISTS
NOVEMBER 4, 2025 NOBODY WANTS THIS SHOWS FAITH IS THE HARDEST PART OF LOVE
OCTOBER 28, 2025 SPRINGSTEEN: DELIVER ME FROM NOWHERE REMINDS US WHY NEBRASKA IS HIS BEST RECORD
OCTOBER 21, 2025 AZIZ ANSARI RETURNS WITH SOCIALIST COMEDY ‘GOOD FORTUNE’
OCTOBER 17, 2025 ’31 CANDLES’ PROVES YOU’RE NEVER TOO OLD TO GROW UP — OR HAVE A BAR MITZVAH
OCTOBER 9, 2025 THE SMASHING MACHINE SHATTERS THE ROCK’S INDESTRUCTIBLE IMAGE
OCTOBER 7, 2025 THE ROAD BETWEEN US SHOWS WHY OCT. 7 CAN NEVER BE FORGOTTEN
OCTOBER 5, 2025 ONLY ONE WOMAN CAN WIN: AMAZON’S THE GIRLFRIEND IS RUTHLESS, GLOSSY, AND ADDICTIVE
SEPTEMBER 30, 2025 PAUL THOMAS ANDERSON’S ONE BATTLE AFTER ANOTHER IS A LOVE LETTER TO RADICALS
SEPTEMBER 25, 2025 ‘THE TERMINAL LIST: DARK WOLF’ TAKES ON IRAN’S NUCLEAR PROGRAM
AUGUST 28, 2025 OASIS REUNION TOUR TAPS INTO ’90S NOSTALGIA
AUGUST 18, 2025 NOBODY 2: A ROARING RETURN
AUGUST 7, 2025 SOUTH PARK SKEWERS KRISTI NOEM AND RIGHT-WING PODCAST GRIFTERS
AUGUST 4, 2025 ‘THE NAKED GUN’ RETURNS: LIAM NEESON LEADS FUNNIEST FILM IN YEARS
JULY 26, 2025 A MOTHER’S LOVE DRIVES THE BEST MARVEL MOVIE IN YEARS
JULY 24, 2025 ‘WOKE IS DEAD’: SOUTH PARK’S SEASON 27 PULLS ZERO PUNCHES
JULY 18, 2025 LENA DUNHAM TURNS ON THE FEMINIST ‘GOOD GUY’
JULY 18, 2025 JAMES GUNN GIVES SUPERMAN AN EXISTENTIAL CRISIS
JULY 13, 2025 OZZY OSBOURNE ENDS THE CAREER THAT MADE HEAVY METAL
JULY 10, 2025 JURASSIC WORLD: REBIRTH IS AN UNEXCITING RELIC
JUNE 29, 2025 ‘F1: THE MOVIE’ IS ‘TOP GUN’ WITH RACE CARS
JUNE 14, 2025 ASSASSINS, NUNS, AND HAND GRENADES: THE PHOENICIAN SCHEME IS PEAK WES ANDERSON
JUNE 10, 2025 BALLERINA IS A BRUTAL, STYLISH CASH GRAB. IT’S WORTH YOUR MONEY
MAY 31, 2025 ‘THE LAST OF US,’ SEASON 2: THE APOCALYPSE AND TEENAGE MELODRAMA
MAY 28, 2025 MISSION: IMPOSSIBLE 8 IS AN ARTIFICIAL INTELLIGENCE-OBSESSED MESS
JANUARY 10, 2025 ROBERT EGGERS’S NOSFERATU: A HAUNTING REVIVAL OF VAMPIRIC TERROR
JANUARY 5, 2025 MOTHER, WIFE, AND INTERNATIONAL SPY: KEIRA KNIGHTLEY JUGGLES IT ALL IN BLACK DOVES
DECEMBER 31, 2024 TIMOTHEE CHALAMET’S BOB DYLAN REJECTS COMMUNIST ACTIVISTS
DECEMBER 23, 2024 HOW YELLOWSTONE LOST ITS WAY
DECEMBER 20, 2024 BEST CHRISTMAS PAGEANT EVER: FINALLY, A CHRISTMAS MOVIE ABOUT CHRISTMAS
DECEMBER 10, 2024 FROM COURTESAN TO CASH GRAB: THE EMPTY TRAGEDY OF ANORA
NOVEMBER 29, 2024 AT 94, CLINT EASTWOOD STIKES AGAIN: JUROR NO 2 DELIVERS A GRIPPING MORAL DILEMMA
NOVEMBER 24, 2024 RED ONE IS A FAST, FURIOUS, AND FORGETTABLE HOLIDAY MISFIRE
NOVEMBER 19, 2024 DISNEY’S AGATHA IS AGONY ALL ALONG
OCTOBER 20, 2024 RINGS OF POWER’S SECOND SEASON HAS YOU ROOTING FOR SAURON
OCTOBER 14, 2024 NOBODY WANTS THIS: A NON-KOSHER ROMANCE WITH A RABBI
SEPTEMBER 6, 2024 REAGAN IS A RORSCHACH TEST
AUGUST 26, 2024 THE VAPID WORLD OF BLINK TWICE
AUGUST 21, 2024 THE END OF BRAT SUMMER
AUGUST 18, 2024 FIRST MAN: A CHRONICLE OF AMERICAN TRIUMPH
AUGUST 12, 2024 THELMA: LET GRANDMA TAKE RISKS
AUGUST 6, 2024 DEADPOOL & WOLVERINE: CAN STAR POWER ALONE SAVE THE MCU?
JUNE 29, 2024 SHARP SATIRE TO PREACHY POLITICS: THE BOYS RUNS OUT OF IDEAS
JUNE 23, 2024 FROM THE FORCE TO FARCE: DISNEY’S THE ACOLYTE DESCENDS INTO SELF-PARODY
JUNE 15, 2024 BAD BOYS: RIDE OR DIE IS PURE ACTION FUN
JUNE 7, 2024 IS FURIOSA THE HEROINE WE NEED OR A VICTIM OF POOR TIMING?
MAY 29, 2024 THE MINISTRY OF UNGENTLEMANLY WARFARE: GUY RITCHIE’S FLASHY 007 FILM
MAY 17, 2024 FALLOUT: A POST-APOCALYPTIC MASTERPIECE
MAY 20, 2024 THE FALL GUY IS AN UNCOMPLICATED ODE TO THE STUNTMAN
MAY 6, 2024 3 BODY PROBLEM REMINDS US WHY COMMUNISTS SHOULDN’T HAVE POWER
APRIL 29, 2024 SHUGUN: A MASTERFUL BLEND OF HISTORY, DRAMA, AND DIPLOMACY
APRIL 15, 2024 FROM SILVER SCREEN TO STREAMING: GUY RITCHIE’S THE GENTLEMEN TRIUMPHS
APRIL 12, 2024 THE TIMELESSNESS OF LARRY DAVID’S CURB YOUR ENTHUSIASM
MARCH 25, 2024 DRIVE-AWAY DOLLS’ COVERT CONSERVATISM
MARCH 18, 2024 GRIT OVER GLAMOUR: THE UNVARNISHED REALITY OF LAND OF BAD
MARCH 4, 2024 DUNE 2 IS A LIBERTARIAN ODYSSEY
FEBRUARY 26, 2024 MR. AND MRS. SMITH: A PRO-MARRIAGE SPY SHOW?
FEBRUARY 21, 2024 THE EERIEST TRUE DETECTIVE
FEBRUARY 7, 2024 ARGYLLE: A SPY COMEDY THAT SQUANDERS A STAR-STUDDED CAST
JANUARY 31, 2024 JACK REACHER CONTINUES TO ENTERTAIN IN SEASON TWO
JANUARY 22, 2024 NOT SO FETCH: THE 2024 MEAN GIRLS MUSICAL MISSES THE MARK
JANUARY 15, 2024 STAR WARS WON’T SUCCEED UNTIL PRODUCERS PRIORITIZE STORYTELLING
DECEMBER 29, 2023 THE HOLDOVERS REVIVES THE ART OF CHARACTER-DRIVEN CINEMA
NOVEMBER 28, 2023 NAPOLEON IS A VISUALLY COMPELLING DISAPPOINTMENT
NOVEMBER 17, 2023 NOTHING CAN SAVE THE MARVELS FROM PANDERING PITFALLS
OCTOBER 29, 2023 KILLERS OF THE FLOWER MOON IS NOT YOUR TYPICAL SCORSESE FILM
OCTOBER 2, 2023 DUMB MONEY ISN’T AS SMART AS IT THINKS IT IS
SEPTEMBER 27, 2023 THE EQUALIZER 3 IS A FITTING CONCLUSION TO THE ACTION TRILOGY
AUGUST 29, 2023 STOP RUINING OLIVER ANTHONY’S ‘RICH MEN NORTH OF REDMOND
AUGUST 23, 2023 IS BRADLEY COOPER’S FILM PROMOTION TOO ON THE NOSE?
AUGUST 7, 2023 THE FAULT IN OUR STARS: LIZZO AND THE FLAWS OF CELEBRITY WORSHIP
JULY 22, 2023 TRIUMPH AND TRAGDY IN CHRISTOPHER NOLAN’S OPPENHEIMER
JULY 18 2023 TOM CRUISE KEEPS THE TORCH ALIGH IN MISSION IMPOSSIBLE: DEAD RECKONING PART ONE
JULY 4, 2023 INDIANA JONES AND THE DIAL OF DESTINY: A TRIED DANCE WITH NOSTALGIA
JUNE 26, 2023 NO HARD FEELINGS: A COMEDIC CRITIQUE OF MODERN LOVE
JUNE 24, 2023 ELEMENTAL: PIXAR’S FIERY EXPLORATION OF DESTINY AND LOVE
JUNE 20, 2023 THE FLASH CASHES IN ON THE LUCRATIVE APPEAL OF THE MULTIVERSE
JUNE 12, 2023 THE GREAT IS A CLEVER SATIRE ON POWER AND RUSSIAN HISTORY
JUNE 05, 2023 JURY DUTY: COURTROOM COMEDY MEETS REALITY TELEVISION
MAY 30, 2023 FAST X: A FAMILY REUNION ON STEROIDS
MAY 25, 2023 TINA TURNER: AN ODE TO THE QUEEN OF ROCK ‘N’ ROLL
MAY 19, 2023 GUY RITCHIE’S THE COVENANT: AN UNFLINCHING LOOK AT THE AFGHANISTAN TRAGEDY
MAY 15, 2023 GUARDIANS OF THE GALAXY VOL. 3: MARVEL’S SPACE SAGA SUFFERS GALACTIC FATIGUE
MAY 08, 2023 NEFARIOUS: A THEOLOGICAL THRILLER SHORT ON NUANCE
MAY 05, 2023 WORLD WAR II FILM SISU IS A POIGNANT CRITIQUE OF OPPRESSIVE REGIMES
MAY 03, 2023 RENFIELD: A DISSONANT SYMPHONY OF HORROR AND COMEDY
APRIL 27, 2023 BEEF: A DARKLY COMEDIC FEAST OF VENGEANCE AND VULNERABILITY
APRIL 25, 2023 DUNGEONS & DRAGONS: HONOR AMONG THIEVES BALANCES WIT AND CHARM
APRIL 21, 2023 JOHN WICK: CHAPTER 4 IS AN EXHILARATING BALLET OF BULLETS AND OPULENCE
January 6, 2023 JACK RYAN SEASON THREE TAKES ON RUSSIA AND NATO
January 2, 2023 GLASS ONION: A KNIVES OUT MYSTERY IS A CLUMSY, POLITICIZED SEQUEL
December 21, 2022 VIOLENT NIGHT OFFERS HEARTFELT SEASON’S BEATINGS — IS IT A NEW HOLIDAY CLASSIC?
December 19, 2022 AVATAR: THE WAY OF WATER HIDES A BLAND STORY BENEATH GROUNDBREAKING VISUALS
September 26, 2022 DON’T WORRY DARLING IS AN ENTERTAINING THRILLER WITHOUT MUCH TO SAY
August 24, 2022 VENGEANCE SATIRIZES HOW NEW YORKER WRITERS UNDERSTAND RURAL AMERICA
August 17, 2022 PREY DELIVERS A COMPELLING FEMALE LEAD
August 10, 2022 BULLET TRAIN: A SLICK HOMAGE TO GUY RITCHIE FROM THE CREATOR OF JOHN WICK
July 28, 2022 JORDAN PEELE’S ‘NOPE’ IS HAMPERED BY ITS OWN AMBITION
July 22, 2022 THE BOYS CONTINUES TO MOCK EVERYTHING
July 16, 2022 THOR: LOVE AND THUNDER DOESN’T TAKE ITSELF SERIOUSLY
July 3, 2022 ELVIS IS A SEPCTACLE
June 22, 2022 REVIEW: LIGHTYEAR
June 17, 2022 ON KATE BUSH: THE NEXT BIG THING IS A SONG FROM 1985
June 15, 2022 REVIEW: EVEN NOSTALGIA CAN’T SAVE JURASSIC WORLD: DOMINION
June 9, 2022 NOTHING SPECIAL IS A FITTING FAREWELL TO NORM MACDONALD
June 1, 2022 REVIEW: MEN MISTRUSTS ITS VIEWERS ALMOST AS MUCH AS ITS SUBJECT
May 24, 2022 WHAT THE IPOD MEANT TO MILLENNIALS
May 15, 2022 REVIEW: DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS IS AN ALMOST-ENJOYABLE MESS
May 9, 2022 REVIEW: THE NORTHMAN IS WEIRD. THAT’S A GOOD THING
May 5, 2022 REVIEW: AMBULANCE IS TWO HOURS OF HECTIC MICHAEL BAY MAYHEM
May 1, 2022 REVIEW: LIKE AN ’80S ACTION FILM, REACHER IS NO-FRILLS FUN
April 19, 2022 WEST SIDE STORY REMINDS US OF LEONARD BERNSTEIN’S BRILLIANCE
February 22, 2022 IS IT TIME TO RECONSIDER BUYING CDS?
February 1, 2022 REVIEW: THE TRAGEDY OF MACBETH IS A VISUAL MASTERPIECE
January 24, 2022 REVIEW: ETERNALS SCRAPES THE BOTTOM OF THE DISNEY BARREL
January 19, 2022 REVIEW: MATRIX RESURRECTONS IS AN AIMLESS, FORGETTABLE SEQUEL
January 11, 2022 WHAT ABOUT THE NEXT JK ROWLING?
January 03, 2022 WHY DO WE STILL CHERISH THE BEATLES
December 21, 2021 HOW TO MAKE A CHRISTMAS PLAYLIST
November 10, 2021 NO, WE SHOULDN’T CANCEL CLASSIC ROCK
November 1, 2021 CHAPPELLE VS. GADSBY: COMEDIANS DON’T BELONG TO YOUR TRIBE
October 13, 2021 INTERVIEW: TALKING MUSIC WITH RICK BEATO
October 4, 2021 SEINFELD: THE SITCOM THAT DEFINED THE ’90s
September 29, 2021 INTERVIEW: SERJ TANKIAN IS MAKING THE ART HE WANTS
September 22, 2021 REVIEW: CRY MACHO, CLINT EASTWOOD ISN’T RETIRING YET
September 15, 2021 NORM MACDONALD (1959-2021) THE COMEDIAN WHO COULDN’T BE IMMITATED
September 13, 2021 REVIEW: MARVEL ALMOST LETS SHANG-CHI SHINE
August 24, 2021 REVIEW: FREE GUY BLENDS SLAPSTICK COMEDY WITH PHILOSOPHY, AND IT WORKS
August 23, 2021 REVIEW: THE VIEWING BOOTH, MORE PROPAGANDA THAN DOCUMENTARY
August 15, 2021 HOW KANYE WEST STAYED A CULTURAL ICON FOR TWO DECADES
July 29, 2021 REVIEW: ROADRUNNER, A FILM ABOUT ANTHONY BOURDAIN
July 20, 2021 REVIEW: BLACK WIDOW
July 13, 2021 REVIEW: THE TOMORROW WAR
July 8, 2021 REVIEW: A QUIET PLACE PART II
July 2, 2021 THE INDEPENDENCE DAY BLUES
June 29, 2021 JONI MITCHELL’S BLUE RESONATES 50 YEARS LATER
April 20, 2021 REVIEW: HBO’S TINA TURNER DOCUMENTARY
April 13, 2021 REVIEW: JORDAN PETERSON’S BEYOND ORDER
March 22, 2021 REVIEW: ZACK SNYDER’S JUSTICE LEAGUE
March 16, 2021 REVIEW: COMING 2 AMERICA
March 8, 2021 HOW NON-FUNGIBLE TOKENS AND BLOCKCHAIN ARE CHANGING THE ART AND MUSIC WORLDS
March 3, 2021 BORN IN THE RADICAL CHIC
February 23, 2021 DOGECOIN THE LATEST VIRAL CRYPTOCURRENCY
February 18, 2021 INSIDE THE PRIVACY BATTLE RAGING BETWEEN APPLE AND FACEBOOK
February 15, 2021 THE MOST ANTICIPATED ALBUMS OF 2021
February 5, 2021 THE FUTURE OF PARLER AND THE GOVERNMENT’S ROLE IN TECH
January 29, 2021 WHATSAPP, SIGNAL, AND THE PRIVACY WARS
January 19, 2021 BIDEN’S INAUGURATION: THE RETURN OF THE A-LIST STARS
January 18, 2021 REVIEW: RUN HIDE FIGHT
January 7, 2021 ‘WHO’LL STOP THE RAIN’ OF LAZY POLITICAL SONGS?
December 31, 2020 REVIEW: PIXAR’S SOUL REMINDS US TO LIVE
December 27, 2020 REVIEW: WONDER WOMAN 1984
December 20, 2020 THE CRITICS WERE WRONG: THE BEST FILMS HATED BY CIRITCS BUT LOVED BY AUDIENCES
December 16, 2020 THE DEFINITIVE HOLIDAY PLAYLIST
December 6, 2020 REVIEW: ‘FATMAN’ IS THE CHRISTMAS MOVIE FOR 2020
December 1, 2020 POWER UP: THE MAGIC OF AC/DC
November 27, 2020 VAN MORRISON, ERIC CLAPTON PROTEST GOVERNMENT LOCKDOWNS IN NEW SINGLE
November 24, 2020 PARLER AND THE SOCIAL MEDIA TITANS OF SILICON VALLEY
November 2, 2020 WHAT LATE NIGHT COMEDY CAN LEARN FROM SOUTH PARK
October 26, 2020 REVIEW: BORAT SEQUEL IS LAZY, UNORIGINAL, & OBSESSED WITH TRUMP
October 20, 2020 STEVIE WONDER’S RETURN TO MUSIC… AND HOW NOT TO WRITE A PROTEST SONG
October 17, 2020 A PRIMER ON AZERBAIJAN’S MILITARY INCURSION ON ARMENIA
October 8, 2020 EDDIE VAN HALEN: FAREWELL TO A ROCK & ROLL GREAT & TRUE AMERICAN SUCCESS STORY
October 5, 2020 GREAT CLASSIC ROCK SONGS WITH CONTROVERSIAL POLITICAL MESSAGES
October 1, 2020 HBO MAX AND THE ERA OF DIGITAL BOOK BURNING
September 24, 2020 REVIEW: GOODFELLAS 30 YEARS LATER
September 23, 2020 REVIEW: MULAN
March 29, 2020 BOB DYLAN RELEASES NEW SONG, “MURDER MOST FOUL,” FOR THE QUARANTINE BLUES
March 21, 2020 ORDINARY MAN: OZZY OSBOURNE’S FAREWELL
March 7, 2020 REVIEW: PARASITE
December 28, 2019 REVIEW: STAR WARS THE RISE OF SKYWALKER
December 8, 2019 THE ROLLING STONES’ ‘LET IT BLEED,’ ALTAMONT, AND THE END OF THE 1960S
October 20, 2019 HOW TO GET CRACKIN’ AS AN ENGINEERING STUDENT AT UOFT
October 13, 2019 UNCOVERING AZERBAIJAN’S COVERT CAMPAIGN OF CULTURAL CLEANSING AGAINST ARMENIA
September 7, 2019 CANCEL CULTURE COMES FOR CHICKEN SANDWICHES
August 9, 2019 REVIEW: BETWEEN THE BUTTONS, THE ROLLING STONES
August 7, 2019 REVIEW: THE ROLLING STONES, NO. 2
August 4, 2019 LADIES AND GENTLEMEN: THE ROLLING STONES
July 21, 2019 SEN. ELIZABETH WARREN’S RESERVATIONS ABOUT PRO-ISRAEL REPUBLICANS
May 30, 2019 GRETA VAN FLEET: YOUR TIME MACHINE TO 1970
May 29, 2019 BRUCE SPRINGSTEEN’S ‘BORN IN THE U.S.A.’ TURNS 35
January 12, 2019 ELLEN DEGENERES SHOULD HOST THE OSCARS THIS YEAR
January 5, 2019 DON’T LISTEN TO THE MEDIA: PRESIDENT TRUMP HAD A STRONG 2018
December 29, 2018 THE INTELLECTUAL DISHONESTY OF ‘I’M JUST CRITICIZING ISRAEL’
December 25, 2018 IT’S ALMOST THE NEW YEAR AND I STILL HAVE SO MUCH KWANZAA SHOPPING TO DO
December 2, 2018 IN DEFENCE OF DOUG FORD FREEZING THE MINIMUM WAGE
November 26, 2018 YEAR IN REVIEW 2018
October 7, 2018 CHARLES AZNAVOUR: 1924 – 2018
August 25, 2018 THE F!ROSH SURVIVAL GUIDE TO ENGINEERING
June 3, 2018 REVIEW: SOLO: A STAR WARS STORY
May 29, 2018 TRUMP’S ISRAEL POLICIES COMPARED TO THE LAST 12 PRESIDENTS
May 5, 2018 ARMENIA’S VELVET REVOLUTION
January 19, 2018 ON AZIZ ANSARI’S MISADVENTURES
December 23, 2017 AFTER JERUSALEM, DONALD TRUMP SHOULD RECOGNIZE THE ARMENIAN GENOCIDE
December 16, 2017 REVIEW STAR WARS THE LAST JEDI
November 27, 2017 EVERYTHING YOU NEED TO KNOW ABOUT THE NET NEUTRALITY DEBATE
November 10, 2017 ISRAELI’S INSTAGRAM SPAMMED WITH VITRIOL, THEN SUSPENDED
October 24, 2017 PALESTINIANS BUILD MONUMENT TO SADDAM HUSSEIN
July 6, 2017 THE CANADIAN FREEDOM SUMMMIT, SUMMED UP
June 11, 2017 REVIEW: Wonder Woman
May 29, 2017 EVERYTHING YOU NEED TO KNOW ABOUT DEEP STATE
May 11, 2017 REVIEW: THE PROMISE: A Powerful, Memorable Film
March 5, 2017 THE RUSSIANS ARE COMING. QUICK, ELECT A REPUBLICAN!
February 21, 2017 ‘LAWS RESTRICTING FREE SPEECH’ ARE OUR STRENGTH
February 17, 2017 REBUTTAL TO UTORONTO STUDENT NEWSPAPER’S DEFENSE OF SUPPRESSING FREE SPEECH
February 9, 2017 BACK IN THE USSR. YOU DON’T KNOW HOW LUCKY YOU ARE, BOY
January 30, 2017 POLITICIANS, STOP HIDING BEHIND HUMAN SHIELDS
January 16, 2017 BARACK OBAMA’S FOREIGN POLICY OF APPEASEMENT AND BROKEN PROMISE TO THE ARMENIANS
January 9, 2017 A COMPLETE TIMELINE OF RACE RELATIONS UNDER OBAMA
January 1, 2017 HERE ARE 5 NEW YEAR’S RESOLUTIONS THAT LEFTISTS SHOULD LIVE BY IN 2017
December 30, 2016 OBAMA’S ‘PRO-ISRAEL’ PRESIDENCY IS FAKE NEWS
December 19, 2016 REVIEW: ‘ROGUE ONE’
December 1, 2016 STUDENT GROUP BLOCKS HOLOCAUST EDUCATION PROPOSAL
November 26, 2016 TRUDEAU PRAISES MASS MURDERING COMMUNIST DICTATOR CASTRO
September 3, 2016 A FAREWELL TO STEPHEN HARPER
August 23, 2016 REVIEW: WAR DOGS
August 21, 2016 REVIEW: ‘SAUSAGE PARTY’ RAUNCHY, IRREVERENT, LAZY BUT AT TIMES HILARIOUS
August 17, 2016 DOES THE GREEN PARTY BELIEVE ISRAEL CREATED GLOBAL WARMING?
August 9, 2016 REVIEW: ‘SUICIDE SQUAD’ SHOWS US THAT SOMETIMES YOU HAVE TO FIGHT FIRE WITH FIRE
August 5, 2016 WHEN WILL DEMOCRATS HAVE TO DISAVOW THEIR RADICAL SUPPORTERS?
August 3, 2016 REVIEW: JASON BOURNE
July 28, 2016 TWITTER INDIGNANT OVER ISRAELI ‘WONDER WOMAN’
May 9, 2016 REVIEW: ‘CAPTAIN AMERICA: CIVIL WAR’
Harry Khachatrian. 